Dinosaurs aren’t interesting anymore. The sense of wonder that Steven Spielberg once instilled in audiences by using modern cinema technolog...

Up to this point, writer/director Noah Baumbach has operated in the chattier sectors of American indie cinema. We’ve look at three of his fi...

So. Now that I’ve gotten a good eyeful of what Sparks tick, let’s take a look at their other big cinematic contribution from this year. Not ...

This marks the second Universal screening I’ve been sent to outside of FilmInk this year, and unlike with the ticket for Cry Macho , I consi...

I haven’t really gotten into this in past reviews of his work, but I have a serious admiration for the work of Ridley Scott. When he’s on po...

Much like how Steven Soderbergh couldn’t restrain himself to a single film this year, his frequent collaborator Scott Z. Burns ...

Well, so much for thinking that Joker would be the most contentious cinematic release of 2019. Sure, the reactions to this one...

Noah Baumbach’s work over the 2010’s has been populated by looks at artistic families and the frictions within. Knowing his own...

For as rare as this kind of film ultimately is, where a production that languished in purgatory for decades finally sees completion...

The plot: Freshly-minted detective Ron Stallworth (John David Washington), the first black officer the Colorado Springs police depa...

The plot: After a costly battle against the First Order, General Leia Organa (Carrie Fisher) tries to evacuate the Resistance fight...

  Retirement in the world of creative arts has always been a funny thing. As much as it is like any other profession in how some people can ...

When talking about a filmmaker as lauded as Martin Scorsese, traditional adjectives like “important”, “influential” and even “lauded...

Of any film that I’ve seen this year, along with the few that are still scheduled for the rest of the month, this is easily the one ...