Not a lot of Hip-Hop cinema came out this year, at least from what I could find. There was that House Party remake (made by the same guy who...

In terms of hip-hop aesthetic on film, this might be one of the most direct examples I’ve covered on here. The feature-length direct...

Coming-of-age stories seem to take on a more meta aspect once it sinks in that, over the last couple years, they’ve served as a...

There are a lot of major events that happened in the 80’s that would solidify the hip-hop culture right up to the present day. DJ Kool H...

  Even considering his knack for exposing the truly terrifying parts of the human psyche, Gaspar Noé’s latest effort starts off dec...

  Hip-hop, as a musical genre, is one born of both remixing existing material and proclaiming one’s superiority. “I am awesome, mor...

In the realms of hip-hop music, there’s a pantheon of artists who are no longer with us that embody some of the grandest mythologis...

No matter how timid I may come across in these reviews, I know that talking about ideas and concepts in relation to films is still les...

In the realms of modern comedy, there really only seem to be two groups that are holding the charge in terms of white guys doing f...

Hi, everyone. Andras Mahan here, the Internet’s sincerest cinema nerd. And it’s time for a review of the debut mixtape by Cal Chuchesta:...

While I’ve been trying to broaden my musical horizons over the last few years, getting into more metal and electronic music as best my...

A phrase that I’ve seen thrown around when it comes to the very idea of media criticism is “Those who can, do. Those who can’t, crit...

  It was inevitable that I’d come across a film like this during my December endurance run. I wasn’t expecting this to be the first t...

If there’s one thing I love more than cinema and all things geek, it’s hip-hop. From growing up around my parents’ love for gangsta rap,...