The more time I spend contemplating the work of writer/director Ari Aster, the more frustrated I get with him. His feature debut Hereditary ...

The prequel to one of my favourite films from last year in X , Pearl serves as the origin story for that film’s surprisingly sympathetic vi...

  So, back in high school, I had this friend. We’ll call him… Jay. Around when we started school, me and him were put into a special morning...

Just as Australians know their crime dramas and Italian know their Westerns, New Zealanders sure know their cringe comedies. Only this examp...

I went into this with what I’d consider a reasonable amount of cautious optimism. Halloween Kills from last year still left me hankering t...

So. Now that I’ve gotten a good eyeful of what Sparks tick, let’s take a look at their other big cinematic contribution from this year. Not ...

Trey Edward Shults doesn’t do things small. His last film, the increasingly-relevant It Comes At Night , is one of the finest depictions o...

Words are limited. For as bountiful as the vocabulary of any given dialect may be, there will always be certain moments, certain experienc...

In terms of the archetypal rock star, the one that women want, men want to be, and everyone else starts learning their tastes qui...

Time to take a trip back to the days of black-and-white cinema with a look at one of vaudeville’s most beloved acts: Laurel & H...