Sunday, 28 February 2016

How To Be Single (2016) - Movie Review



Maybe it’s an age thing, but being single doesn’t really bother me all that much… about 99 times out of 100. That’s probably because I’m at that point of transitioning into full-on adulthood where I have a lot of other shit to worry about day-by-day. Of course, on that one day out of 100, it does end up getting me ever so slightly. And by "slightly", I mean I start looking like I should be listening to Simple Plan all friggin’ day. Being the social hermit that I am, talking with people isn’t necessarily something I am equipped to deal with these days. With this in mind, and everything I’ve said previously about what I’ve learnt from films, there’s that added layer of irritating that comes with most rom-coms. It’s kind of like hanging out with people who go on about how great their relationship is going and how much work it is to maintain; on both sides, it only serves to annoy. Probably explains why these are usually considered date movies in the first place; watching them while single isn’t exactly the best idea in the world. Regardless, here I am fulfilling my self-imposed obligation to see a film that I’m not exactly frothing at the mouth to go see. Let’s discover why.

Saturday, 27 February 2016

Three Wise Cousins (2016) - Movie Review



Maybe it’s as a result of the certain brand of critic that I took inspiration from to start reviewing films in the first place, but there are times when I wonder if maybe I’m a little too harsh on certain films. Oh sure, stuff like Vacation and War Room most assuredly deserve every fireball I throw their way, but what about the smaller productions? Like, say, The Quarantine Hauntings from last year? Every so often, given how relentlessly I tore the thing apart, I wonder if I was maybe too hard on it given its lower budget and limited release. Then again, I’ve seen amazing low budget films like Lead Me Astray and amazingly awful blockbusters like Pan, so I’m already of the opinion that films are capable of being held to the same standard across the board. Every film gets the same treatment, no question about it. So, with that protecting-my-own-arse clause out of the way, let’s get started with today’s film already.

Thursday, 25 February 2016

13 Hours: The Secret Soldiers Of Benghazi (2016) - Movie Review



Michael Bay: A name synonymous with Hollywood hackery, thanks in no small part to his generally woeful Transformers film series. And yet, at least in the last couple of years, I find myself defending the guy? Okay, let me rephrase that. I’m defending the guy’s recent output which, for various reasons, I can easily say shows some definite improvement from the guy who gave Deep Wang and “I’m directly below the enemy scrotum”. Between the genuinely great satire of Pain & Gain, the leap in the right direction of Transformers: Age Of Extinction and even the surprisingly decent Teenage Mutant Ninja Turtles film, I can easily say that I was properly looking forward to this one. I mean, there is a place in the world for Bay’s style of bona fide excess of America, Fuck Yeah; I just wish that his latest would more resemble The Rock than The Fallen. So, are we gonna get another Shyamalan? Only one way to find out.

Monday, 15 February 2016

Deadpool (2016) - Movie Review



More so than any other comic book film that has been released during my lifetime, like The Avengers or X-Men or even The Dark Knight Rises, this is the one that I have been waiting for. Then again, given the character’s lauded reputation and fan base, I’m sure that that is true for most fanboys in the world. Deadpool is not only one of my favourite comic book characters, but might be one of my favourite fictional characters ever: His unique fourth-wall breaking personality probably gives the most freedom of any graphic novel character, almost like a living TARDIS in terms of story possibility. Just to be clear, this guy once mugged Queen Elizabeth for her clothing and teamed up with a group of robotic animals to take down an orca in a robot suit. Under regular circumstances, I’d say that this is that rare property that is impossible to screw up, but then again we all know far too well that someone managed to do just that. But, even with all the admittedly brilliant marketing behind it and the recognition it has already garnered from fans and newcomers alike, does this still hold up given how long we’ve been wanting this film to surface?

Sunday, 14 February 2016

Brooklyn (2016) - Movie Review



Along with the better appreciations for the names of directors attached to a film, which has led me to go back through their filmographies in prep for their latest as you’ve probably noticed on this blog already, I have also taken note of specific writers as well. While last year got me to really take note of Mr. Alex Garland, whom I can only hope continues his ride in the director’s chair, it also gave me my first proper exposure to that footy-loving music junkie Nick Hornby. His penned film Wild mainly made my best of the year list thanks to the amazing production qualities of the overall film, but I’d be lying if I said that this guy’s spellbindingly warm writing didn’t factor into it as well. As such, when the posters came in for his latest write-up, it became one of those situations where I knew I’d check it out regardless of my current compulsions. But, even though I fixate on the writing of films far more than I probably should if I want to keep my film buff membership ID card, I still admit that that is only one part of a larger process that is filmmaking. So, even with my affinity for the writer’s work aside, how does today’s film fare?