You Can Go Now! (2023) - Movie Review

Much like with when I looked at The Witch Of Kings Cross back in 2021, this is a documentary about an Aussie artist that I didn’t know anything about beforehand. I consider myself an ally of the First Peoples of this country, and have (and will continue to) voice such opinions in my work, but I freely admit that there are sizeable gaps in my knowledge of the history. Specifically, when it comes to Black art. So, when it came time for me to draft up a list of films I wanted to make sure I got to before the end of the year, I knew that I had to include this look at one of Australia’s most prominent Black artists: Richard Bell. And while it gave me a better impression of who Richie is and his place within Australian art history, it also felt spread a bit thin.

Candyman (2021) - Movie Review

Now that lockdown conditions are easing, and I’m done with research for some upcoming FilmInk write-ups, it’s time to start my maddened scramble to catch up on the films that are out in cinemas right now. And we’re starting with a film that, going into it, I wasn’t expecting much from. Not to say I was dreading it or anything, but the original Candyman isn’t something I hold a lot of fondness for. It’s an interesting take on the slasher formula, and its exploration of urban legends certainly scratched my storytelling itches, but I could either way on the prospect of a new follow-up to it, even considering the talent involved. However, now having watched it, I have to admit that I can vibe with this a lot easier than I did with the original.