This is going to be a tricky film to write about. Partly because this is a Norwegian film, a part of world cinema culture that I know even less about than what I usually cover on here (I covered the literal first Norwegian film I ever saw right here only a few years ago), but mainly because trying to encompass everything this film is going for in my usual style is a tall order. This film is a lot, and where that would normally a warning for others, I mean that in the sense that it deals in ‘a lot’. But if I had to strain and give an early summary of my thoughts on the film in a single sentence, the best I can come up with is “two hours of the most unvarnished depiction of the Millennial experience I’ve ever seen”.
