X (2022) - Movie Review

Sex and horror are strange bedfellows. As types of entertainment that exist outside of the mainstream’s safe zone, they’re inexorably linked, but they also have an uncomfortable relationship with each other. One of the most referred-to stereotypes in horror movies, and particularly slasher movies, is that if a character has sex on-screen, or has ever had sex in their fictional life, they are going to die. Films like the Friday The 13^th series, where it seemed like Jason Voorhees had a sixth sense for people fucking nearby (an idea that became literal with Jason X).

Now, while there’s a general understanding that, yeah, that’s the actions and motives of the villain, so it’s not implicitly meant to be a viewpoint that should be adhered to… well, when it gets to the point where that stereotype of ‘sluts die’ is something that gets brought up consistently not just with discussions of older films, but is brought back in a lot of modern meta-horror features as well, you have to start wondering if that repetition is to acknowledge how regressive that worldview is, or to reinforce it. See also: The black man being the first to die in a horror film.

Pitch Perfect 3 (2018) - Movie Review

The plot: Three years after their victory at the a cappella World Championship, the Bellas are struggling to make their mark in the world outside of music. However, after they reunite under false pretences, they decide to go on one last tour and perform for the U.S. troops, taking part in a competition to win an opening spot for DJ Khaled. However, as they see that the rest of the bands actually play their own music, it seems that this last hurrah is going to be the most challenging feat the Bellas have ever faced.

Bushwick (2017) - Movie Review

The plot: When Lucy (Brittany Snow) steps off the subway into Bushwick, New York, she unknowingly enters a war zone. A new civil war has broken out, with unknown military factions fighting on the streets, chaos and gunfire turning what was once home into a battleground. After being rescued by ex-Marine Stupe (Dave Bautista), Lucy sets out to find her family and, hopefully, make it to the demilitarized zone and escape this carnage.

Pitch Perfect 2 (2015) - Movie Review

Pitch Perfect (2012) - Movie Review

As I hop on the years-past train again to do some catch-up before checking out a new release, I find myself face-to-face with someone I’ve been meaning to let loose about for quite some time: Rebel Wilson. I made brief mention of her rather grating turn in Night At The Museum 3, but I didn’t really get into what I think about her. Specifically, how baffled I am that, of all the Aussie stand-ups I’ve seen, she was the one to become a break-out star in the U.S. Having seen her older work, like The Wedge, Pizza and some of her stand-up material that largely consisted of standard Boganisms about Frankston (think the Australian version of New Jersey; a place that is the butt of every joke by hack comedians), I just don’t see it. Don’t get me wrong, good fucking on her for giving proper Australian comedy some overseas attention, but I’m guessing it’s because she kind of blindsided everyone that she got where she did and my proximity to her early work is why I don’t get it. In any case, time to look at the film that officially brought her to the attention of most U.S. audiences.