Outside of Luc Besson being an idiosyncratic director
(shorthand for “he has his own style that I am unable to put into words”), I
don’t have anything new to say about the guy that I haven’t already said in
reviews past. As such, I’ll forgo my usual introduction and just get right into
this thing because I am legit excited to be talking about this movie.
Showing posts with label dehaan. Show all posts
Showing posts with label dehaan. Show all posts
Monday, 11 September 2017
Valerian And The City Of A Thousand Planets (2017) - Movie Review
Labels:
2017,
action,
adventure,
clive owen,
dehaan,
delevingne,
goodman,
hawke,
luc besson,
mahan,
movie,
multiculturalism,
review,
rihanna,
rutger hauer,
sci-fi
Tuesday, 4 April 2017
A Cure For Wellness (2017) - Movie Review
As I’ve explained many times before on this blog, there are
few things in media that I love more than psychological thrillers. Maybe it’s
because I view film as an inherently psychological work, given how it exists to
convince the audience that its frequently absurd world is actually real, but I
have a real liking for films that set out to mess with people’s heads. I’ve
covered the good (Oculus), the bad (Trance) and the outright bizarre (Lost River) over the last couple years, and even at their worst I’d like to think
that I’ve shown a certain leniency with this sub-genre. Naturally, when the
trailers start rolling out for Gore Verbinski’s latest, I have to admit that I
was quite captivated. With its immediately-apparent visual splendour and
familiar but still interesting premise, it definitely seemed to tickle that
itch for me.
However, one thing that I am learning very quickly is that this is going to be a weird year for
expectations in cinema, and this is definitely going to be an example of that. So,
while I roar my lungs out in the Angry Dome, let’s get into this shite already.
Labels:
2017,
dehaan,
derivative,
gore verbinski,
horror,
imrie,
jason isaacs,
mahan,
movie,
psychological,
review,
thriller
Wednesday, 25 January 2017
Ballerina (2017) - Movie Review
The plot: In 19th century France, orphan girl Félicie (Elle Fanning) hopes to escape the orphanage and go to Paris to become a ballerina. With the help of her best friend and hopeful inventor Victor (Dane DeHaan), they makes their way to Paris. As they chase their respective dreams, with Félicie accepting help from Odette (Carly Rae Jepson), a caretaker at the Paris Opera Ballet school, she finds herself fighting against rival dancer Camille (Maddie Ziegler) and her mother Regine (Julie Khaner) to keep her dream alive.
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