Showing posts with label demi moore. Show all posts
Showing posts with label demi moore. Show all posts

Thursday, 14 April 2022

The Unbearable Weight Of Massive Talent (2022) - Movie Review

Time for another preview screening, this time courtesy of StudioCanal… and man, after how much he crushed it last year, I leapt at the chance to check out the next Nicolas Cage flick. When you’ve spent so many years (decades, even) being such a singular talent that you’re just as animated as any one of the roles you’ve taken up, then yeah, why not star in a movie where you’re performing as yourself? Sure, there’s films like The Weather Man, Joe, and the previously-reviewed Pig, which showed certain facets of his real-life persona, but this is as direct as it gets. And the end result, while consciously made up of a lot of familiar parts, is quite mesmerising in that way that only Cage-starring films can manage.

Monday, 31 May 2021

Songbird (2021) - Movie Review

Making a film intrinsically about COVID-19, while COVID-19 is still a thing and still a danger to public health, isn’t an inherently bad idea. All art is reflective of the era in which it was made, and film is no exception; knowing how much the pandemic has fucked up the industry in regards to getting work done and released, working around the conditions involved shouldn’t automatically be seen as a bad thing. I’m not saying that exploiting the situation for profit isn’t shady as all fuck; just that not every production in this space should be seen as such. At least, not until it proves itself to be in that vein.

After what happened with Locked Down, I went into this other film set during COVID lockdown (in a roundabout way, which I’ll get to) with far lower expectations. Other than hearing a fair bit of negative press about it since it first released in the U.S. in December, I’ve resigned myself to the notion that Host was going to be a rare example of a film made in extraordinary circumstances that was itself an extraordinary work of art. I’ve been seeing the word “tasteless” floating around a lot in discussions about Songbird, hence my little spiel about the supposed ethics problems with making a film about a pandemic while said pandemic is still happening, so I was ready for the worst of it. And while that's unfortunately what I got, it wasn't in the form I was expecting.