Showing posts with label miranda tapsell. Show all posts
Showing posts with label miranda tapsell. Show all posts

Saturday, 18 December 2021

Back To The Outback (2021) - Movie Review


It’s been a while since we’ve heard from the talking animal set. I know that this sub-genre is something of a regular punching bag on this blog, but something I feel the need to point out is that that reputation doesn’t come from any real disdain for the sub-genre itself, or kids’ entertainment, or animals in general. It’s just that there are a lot of films that come out every year that feature talking animals, and most of them are made quickly and on-the-cheap to create disposable fluff because anthropomorphic animals are easy for kids and kids-at-heart to latch onto. I mean, I grew up in the era of PS2 platform mascots; I get the appeal. And yeah, this latest iteration is as light as light entertainment, but… something feels different about this one.

Tuesday, 5 January 2021

The Dry (2021) - Movie Review

Sometimes, a well-delivered idea means more than an original one. Coming across the same kinds of stories, told through the same kinds of perspectives, is bound to happen by sheer probability once you’ve sat through enough movies. And sure, seeing something that breaks away from the norm can be a good thing… but as I learnt last year with The Empty Man, raw ingenuity doesn’t always win against refined craftsmanship. And with this Aussie effort, we have a quite familiar story, but it’s told in such gripping fashion that the déjà vu fails to become an issue.

Sunday, 19 May 2019

Top End Wedding (2019) - Movie Review



I’ve ragged on romantic comedies a fair bit in past reviews. Part of that is simply the nature of the beast, since rom-coms tend to make for rather clichéd viewing even at the best of times, but I feel like I haven’t the sub-genre nearly enough credit. I mean, with both critics and general audiences, rom-coms tend to be the most accessible features to get into, and that accessibility can lead to some opportune moments for demographics to get screen time. I looked at this last year with Crazy Rich Asians, a film that was ostensibly just a standard narrative boosted tremendously by its cultural aesthetic. Today’s film very well could have the chance to do the same thing for Tiwi indigenous Australians, but… I can’t lie, I’m not nearly as hyped about this one.