I have pretty much given up trying to anticipate anything
that Jon S. Baird does. With each new release, he not only creates something
that stands out wholly from anything else that’s released next to it, but even
from the previous production Baird worked on. He's gone from the psychological
dark comedy of Filth to the vaudeville tragedy of Stan & Ollie… to a Cold
War-era political thriller wearing the skin of a corporate biopic in Tetris.
