Showing posts with label pine. Show all posts
Showing posts with label pine. Show all posts

Monday, 7 May 2018

A Wrinkle In Time (2018) - Movie Review


The plot: After the unsolved disappearance of their father Alex (Chris Pine), Meg (Storm Reid), her adopted brother Charles Wallace (Deric McCabe) and their mother Kate (Gugu Mbatha-Raw) are trying to carry on with their day-to-day lives. However, when Meg, Charles Wallace and Meg's friend Calvin (Levi Miller) are contacted by the mysterious Mrs. Whatsit (Reese Witherspoon), Mrs. Who (Mindy Kaling) and Mrs. Which (Oprah Winfrey), they discover that not only is their father still alive, but that they have a chance to rescue him. They set off on an extradimensional voyage to rescue their father, while the IT prepares to stretch its dark tendrils across the universe.

Friday, 16 June 2017

Wonder Woman (2017) - Movie Review


As a means to contrast the enduring sense of dread I had in the lead-up to the release of Baywatch (you know, before I ended up liking it), today’s film has been a long and steady process of chanting “please don’t suck” over and over again every time I saw the marketing for this film. Knowing what DC is capable of in terms of stories, and how much their recent efforts have been underwhelming (I didn’t give nearly enough flack for the whole Granny’s Peach Tea insanity from BvS: Dawn Of Justice when I first reviewed it), I seriously wish that they would stop falling under their own strain and just make the DC Extended Universe worth watching. The closest we’ve gotten so far is Suicide Squad, and even then it ranks up there in terms of the most bewildering fanboy rage quits in recent years; it honestly seems like I’m one of the few people who was willing to give that film a chance.
 
So, in the wake of this film’s alarmingly warm reception, am I going to join the crowd for once or am I going to be the lone jackass wondering what the hell everyone else is seeing? Only one way to find out.

Monday, 21 November 2016

Hell Or High Water (2016) - Movie Review



Last year, one of the bigger critical successes was the harrowing war thriller Sicario. It also represented one of the few times when I met the critical consensus not just in opinion, but in the magnitude of that opinion. Sicario, structurally, was easily the best film of the year and all of its individual pieces were genius on their own and created sheer magic when brought together. Since almost everyone involved already laudable careers to fall back on, I sincerely hoped that writer Taylor Sheridan would also stick around. I mean, if that was his first attempt, I legitimately can’t wait to see what he’s cooked up for us this time.

Tuesday, 9 August 2016

Star Trek Beyond (2016) - Movie Review



2009’s reboot of the Star Trek film series is a film that is utter impossible for me to view in any critical sense. I say this because, for better or for worse, it was what finally got me properly interested in the franchise and I have been ever since. When the Star Trek series and movies are at their best, they are some of the most thought-provoking and well-crafted science-fiction stories in the history of the medium. Hell, I’d argue that the Next Generation episode Tapestry is one of the greatest works of fiction ever conceived. But don’t mistake this for blind fanboy devotion: When it’s bad, it conversely makes for some of the most brain-dead uses of the art form possible. In stark contrast to my thoughts on the 2009 reboot, 2013’s Into Darkness is far less complicated: It’s decent, but quickly turns sour thanks to how badly it borrows ideas from previous films in the franchise. Are we gonna get a repeat of either of those, or are we in for something else entirely?

Wednesday, 17 December 2014

Horrible Bosses 2 (2014) - Movie Review


Given my compulsion to review every new film I see, I will inevitably come across some films that are easier to talk about than others; whether it’s because it’s easier to talk about bad films than good ones or because some films engage me more and leave me more to work with in terms of writing, not every film will give me the same amount of content. This is such an occasion, only for different reasons than usual. It isn’t because this film is entirely good, leaving me with less to talk about, nor did it fail to leave me with much to talk about. No, this time the difficulty in writing a review for this movie is, put simply, because it is just plain unpleasant to recollect.