The latest feature from former gay porn director and current
frontrunner for best queer filmmaker working today Wash Westmoreland certainly
fits into his main oeuvre. It’s a psychosexual thriller about a Swedish
expatriate in 1980’s Japan, played with simmering anguish by Alicia Vikander,
one that is basically bisexual aesthetic on blast. As I got into earlier this
month, we stan the Bisexual Bard in this house, and between his previous
efforts Still Alice and Colette, I’ll admit to looking forward to this. Not
sure if that was the best move, though.
