Given my habitual watching of everything that comes my way, expectations on how a movie looks and sounds before seeing it means something different than what it used to. Before, as it probably does for a lot of you reading this, I would look at a film’s cast, premise and trailer and judge whether or not I would go and see it based on that. Now, since I watch most if not all of the movies I get trailers for, it feels more like opening a birthday present from somebody I don’t know; it could be good, bad, bizarre or any mixture of the three, but I won’t know till I open it. I’ve had movies that were good that I thought would be bad (The Fault In Our Stars), vice versa (22 Jump Street) or had my assumptions proven right (Divergent sucked). What am I getting at with all this? Well, tl;dr I thought This Is Where I Leave You would be hilarious just because Tina Fey is in it.
The plot: Shortly after being cheated on by his wife, Judd Altman (Jason Bateman) has to attend his father’s funeral. His father’s last wish was for his whole family to sit for Shiva, a Jewish custom where the deceased’s family live in the same house for seven days). Hijinks ensue.
The phrase ‘hijinks ensue’ is usually applied, by me anyway,
to comedies that have plots that exist solely for the purpose of getting a
group of dysfunctional people together to bounce off of each other, usually for
extremely trite reasons. Now, while the premise itself is perfectly serviceable,
I specify ‘hijinks ensue’ because there is a lot of dysfunctional family
shenanigans in this movie… too much
of it, in fact. Any time there’s an argument between the characters, it’s never
one argument; the main characters are
made up of Judd, his mother (Jane Fonda), his sister (Tina
Fey) and his two brothers, and there are usually three separate arguments going
on at the same time. Chaotic family
drama is fine, but not at this high a dosage and not this frequently. It’s
difficult keeping track of what’s going on sometimes.
There is also a serious flaw with the dialogue specifically
that really got on my nerves: ‘Complicated’. They say this word a lot, always
in description of how Judd’s life is. This is a problem for two reasons: One,
it shows that the writer clearly doesn’t know how to use a thesaurus; and two,
it’s a large brick to the face with Judd’s character arc wrapped around it. Don’t
get me wrong, the character arc itself is fine with Judd learning to cope with
how his life is and making the most of it, but the overuse of that one word
makes what could have been some form of nuance just feel sloppy. The golden
rule of the visual medium is ‘Show, don’t tell’, and between the cluttered
family drama and the repeating of the word ‘complicated’, this movie succeeds
at overdoing both of them at once.
Okay, enough negativity… for now. The cast are all great
actors and it shows, with each giving a good performance and helping to elevate
this wobbly bowl of something they keep calling a screenplay. As I said, I
wanted to see this purely on the basis of Tina Fey, whose work on 30 Rock I
find to be really damn funny, and she does great here as Judd’s sister Wendy
getting most of the better lines in terms of comedy… with one exception.
Remember the trailer when she asked if Judd was in ‘the excessive facial hair phase of [his] depression’? Well, the movie didn’t seem to as that line isn’t in the movie. I really don’t like it when the trailer shows what isn’t in the movie, but here it sucks because I thought that was a nice bit of dialogue and wanted to see it used in context. (That might literally be the biggest nitpick I have ever made in my life, but fuck it.) Fonda as the matriarch of the family does great with her role, delivering all of the embarrassing stories she keeps telling people with the right punches needed. The scenes between her and Bateman are the major highlights of the movie, with major tear-jerking throughout. Also, while I maintain that there was too much going on at once, the Altmans actually feel like a real family with how they talk to each other in the more sedate moments of the film, making me think that this could have been such a better movie with a few tweaks.
Remember the trailer when she asked if Judd was in ‘the excessive facial hair phase of [his] depression’? Well, the movie didn’t seem to as that line isn’t in the movie. I really don’t like it when the trailer shows what isn’t in the movie, but here it sucks because I thought that was a nice bit of dialogue and wanted to see it used in context. (That might literally be the biggest nitpick I have ever made in my life, but fuck it.) Fonda as the matriarch of the family does great with her role, delivering all of the embarrassing stories she keeps telling people with the right punches needed. The scenes between her and Bateman are the major highlights of the movie, with major tear-jerking throughout. Also, while I maintain that there was too much going on at once, the Altmans actually feel like a real family with how they talk to each other in the more sedate moments of the film, making me think that this could have been such a better movie with a few tweaks.
This movie was awesome! Tina Fey is hysterical!
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