After the dramatised kinda-sorta autobiography of Lady Bird, and the classic literary adaptation of Little Women, writer/director Greta Gerwig’s latest feature is… a curveball. A curveball I have had several months to adjust to (and we’re talking before all the actual marketing material and ‘Barbenheimer’ was a thing) but a curveball nonetheless. But that’s just in terms of this film existing in the first place; the actual film itself is something else entirely.