No other
event in recent memory has shaken the film industry as hard as the Harvey
Weinstein scandal. It’s the kind of mass shift in public consciousness that
warrants treating history in pre- and post- terms. And as someone who has made
it their life’s passion to look at and examine the products of the film
industry, it’s quite the thing to try and squeeze into my pre-established
auteurist way of looking at films. Between feature films, short films, and
television shows, Weinstein has his name attached to over 300 products;
that’s a lot of influence. And in that time, he’s worked closely with a
number of filmmakers I hold in quite high regard like Kevin Smith, Quentin
Tarantino, and Robert Rodriguez. Hell, my favourite film of all time is a
Weinstein Company production… and also stars Rose McGowan. As with any industry
that makes products for mass consumption, you can never unlearn how the
sausage is made.
When
looking at a film that dramatises the efforts of the journalists who first
broke the story of Weinstein’s nightmare shitlord behaviour (and that’s me
toning it down), naturally, stuff like this comes to mind… but it’s also
something that’s part of this film’s production as well. She Said is a
product of Plan B, a film studio co-founded by Brad Pitt. Pitt himself was told
about Gwyneth Paltrow’s mistreatment by Harvey back in the ‘90s, and he
apparently confronted the man directly… only to continue working with him for a conspicuous amount of time after that. That Paltrow herself is part of
this film’s story, mentioned several times as one of the women who came forward,
only makes this even more uncomfortable to contemplate. Even when creating art
meant to point the finger at abusers, Hollywood continues to let them benefit
from it.
Not that
I’m going to hold that against this film as I do my usual thematic musings on
it, though. Pitt’s involvement may muddy the waters as far as this film’s
righteous cause, but I don’t see the good that would come out of disregarding
the work of everyone else who created this film, just because of his involvement
in it. In much the same way that disregarding the work of those who worked on
films that Weinstein produced does little as a sweeping movement. Ignoring the
efforts of women because of the actions of one douchebag, considering the story
being told here, doesn’t feel right. I can understand it if the douchebag in
question is the director or the lead actor (and I freely admit that I’ve dodged
quite a few releases this year on that basis), but with how varied the role of
producer can be as far as contact with the people working on the film directly,
I’m not as direct with that.
I’m just
putting this all out there because, out of respect for the work being
highlighted in holding the bastards accountable, this felt like something worth
keeping in context. Especially since what has been put together here is really
damn good. (Yes, after all that waffle, I promise that we are actually
going to discuss the movie now)