Insidious: The Red Door (2023) - Movie Review

Patrick Wilson is one of my favourite actors working today. Whether he’s fighting underwater King Arthur, stuck with late-career Katherine Heigl, or being the face of James Wan’s post-Saw horror catalogue, the man just seems to shine no matter where he goes. As such, the prospect of him making the transition to director has certainly got me intrigued, especially within a franchise that had already launched a major directing talent in Leigh Whannell. But as I look at his debut here, I can’t help but think he would benefit from having a completely different starting point, because this doesn’t really do him any favours.

Malignant (2021) - Movie Review

This is going to be a tricky one to write about. Partly because a lot of the immediate impact comes from a plot twist that, if you pay close enough attention to what’s happening on-screen, is actually painfully obvious. But mostly, it’s because this is one of those special films like The Angry Birds Movie 2 where, at time of writing, I’m still trying to figure out whether this film is legitimately good or so-bad-it’s-good. As someone who has long since advocated for the latter as genuine entertainment, I’m not saying that as a detraction of the production itself. Just that trying to get things straight is quite the task, for something this unashamedly batshit.