The plot: After an unfortunate encounter with the Empress of Buzztropolis (Marney McQueen), country bee Maya (Coco Jack Gillies) is given an ultimatum: Unless she can beat the Buzztropolis team at the upcoming Honey Games, the Empress will take all of the honey from Maya's hive. Teaming up with her best friend Willy (Benson Jack Anthony) and a group of bugs from her home in Poppy Meadow, they will have to work together if they want to save the hive.
Gillies does pretty well as the overly
enthusiastic and headstrong lead, evenly getting across her character’s genuine
merits and the lessons that need to be learnt with equal vigour. Anthony is
okay here as the best friend, but between the fixation on food and the constant
fawning over the rival, he’s not given much to work with. Justine Clarke gives
a kindly and regal air to the Queen of Poppy Meadow, while Marney McQueen acts
as a direct contrast to that in a rather plain but still serviceable way as the
Empress. Aussie comedic legends The Umbilical Brothers as the duo of comic
relief ants are annoying in a thankfully ignorable way, while Jimmy James
Eaton, Jordon Hare and Cam Ralph as the motley crew that makes up the rest of
the team do decently with their basic traits.
Rupert Degas as the gamesmaster Beegood (*heavy sigh*) is all things snooty and turns out well enough as one of the antagonists, and Linda Ngo as Violet, the leader of the Buzztropolis team… wow. Even considering how basic her characterisation is, basically being the stock sporting rival who keeps taunting and tricking our heroes, this is an exceptionally annoying performance. She gets across all the reasons why we’re meant to hate this character, but that never translates into a villain that we would actively want to watch. As a result, she’ll likely make the parents in the audience grind their teeth into powder with how grating her sneering can get here.
Rupert Degas as the gamesmaster Beegood (*heavy sigh*) is all things snooty and turns out well enough as one of the antagonists, and Linda Ngo as Violet, the leader of the Buzztropolis team… wow. Even considering how basic her characterisation is, basically being the stock sporting rival who keeps taunting and tricking our heroes, this is an exceptionally annoying performance. She gets across all the reasons why we’re meant to hate this character, but that never translates into a villain that we would actively want to watch. As a result, she’ll likely make the parents in the audience grind their teeth into powder with how grating her sneering can get here.
The animation quality here is a real mixed bag. Flying Bark
Productions, the Aussie studio that worked on not only the first Maya The Bee
movie but also the recent Blinky Bill movie, are a landmark production house
and have been attached to a lot of childhood favourites for over 50 years. Of
course, longevity doesn’t always translate into great results as the CGI here
is pretty much the definition of child-friendly. Rubbery, overly shiny, round
and bouncy textures for the characters and settings make it look like
everything was sculpted out of plastic, only it’s more than evident that this
isn’t any form of deliberate artistic choice. More likely, it’s an attempt to
translate the franchise’s hand-drawn animated origins into the age of computer
graphics, and the result is about the same as what we got four years ago with
the first movie: It looks okay, but it most certainly isn’t anything special.
Oh, and joy of joys, we have bad water textures to deal with here as well.
The feeling of having to settle for just average material
carries on into the story, as this is about as by-the-numbers as you can get
for what is essentially a sports movie. You have the underdogs who have to
prove their worth, you have the higher-ups running the event who are pretty
much strong-armed into even hearing them in the first place, you have the rival
team who spend more time taunting our leads than anything physically
competitive, and you have the artificial tension around whether or not the main
characters will actually win. The fact that the film seems to lean into all of
these tropes only makes things worse, since it ends up relying on familiar
ideas and characters in order to push itself forward. Considering one of those
characters includes the perpetually bitchy Violet, whose brand of Mean
Girl-meets-Valley Girl antics are enough to make you want to throw things at
the screen, this is not a good thing. I mean, if we were given any reason to
care about the characters in question, this might have sufficed, but we’re only
given surface-level outsider traits to identify the leads with. As bland as
Maya and Willy ultimately are, at least they stand out; same can’t be said for
the coded emo spider and the germaphobic cockroach, who only register as their
informed traits and little else.
But this is me looking at it from my own perspective; much like when I looked at the first film, I have to face the fact that I am in no way the target demographic for this. I take issue with some of the characters and how the film looks, but both are done in this simplistic fashion because it’s meant to be digested easily by the kids this film is aiming to engage with. Honestly, I don’t have a problem with that, considering the messages this film wants to impart on its audience.
Now, admittedly, said messages are not only shown in a very simplified manner (which makes sense, given the exceptionally young target audience) but are also incredibly blunt. For example, there’s a scene where the Empress is shown the scores for the Games and she remarks with glee that her team is in first place. Smash cut to the Queen, who is equally happy that her team isn’t in last place. There’s a few moments like this, and as much as I don’t care for how basic it is, these are still useful things to be teaching young kids. Things like good sportsmanship, learning to work as a team and not just trying to do everything on one’s own, and playing fair even when the opposition refuses to do the same.
On top of that, we even get a thematic through line about characters taking responsibility for their own mistakes, rather than blaming everyone else for what they themselves did wrong. Regardless of my issues with this film’s aesthetic and production values, that kind of lesson is one that earns instant respect in these parts. I’ve talked at great length in the past about how I see humanity’s inability to take responsibility for its own actions to be something of a prevalent problem, so seeing a film like this trying to teach the next generation to avoid that pitfall makes me appreciate this production on a certain level. No amount of slapdash animation can take that away.
All in all, while I personally don’t care much for this
feature, credit where it’s due in that this feels like it will do some good for
the audience it’s aiming for. The acting is passable, while the writing and the
animation are the definition of kids’ filmmaking, and the story overall is one
built on clichés and tropes that are so ingrained in our culture that I’m
pretty sure even those in utero are already familiar with them. But even with
my own apprehension, this film’s intentions and the lessons it wants to impart
feel both worthy of being taught and could actually get through the audience. I
may not like it as entertainment, but then again, this wasn't made with people like me in mind. I mean, compared to a lot of kids’ films I’ve already covered
this year, this thing comes out smelling like roses regardless.
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