Gay conversion therapy is a tough thing to write about. Partly because it is an extremely harrowing subject that doesn’t lend itself to easy composition, but mainly because I don’t want this review to devolve into me just ranting about the practice. At any rate, it’s something that continues to be administered in far too much of the Western world, and it serves as the main focus of the latest from Australian cinematic titan Joel Edgerton. Adapted from the memoir of Garrard Conley, which goes into the horrifying things that take place within ex-gay therapy centres, Edgerton finds himself in prime form, delivering a story that seriously needed to be told.
When inflicted on
Lucas Hedges as the puzzlingly-renamed Jared, or fabled indie filmmaker Xavier
Dolan as the epitome of internalised hate in Jon, or Britton Sear as Cameron who shows some serious hero stripes
during the finale, it makes for some truly heart-breaking stuff. Even removed
from the initial spine chills of realising that this is an actual thing in our
world, the way that the actors and Edgerton’s stunningly blunt writing bring it
to the forefront will pull tears right out of the ducts.
But beyond just showing the process itself, the portrayal of
its effects are remarkably complex, especially given the subject matter. We are
basically given the full spectrum of things that can happen within this setup,
both for those in the program and those on the outside looking in. Some see the
abuse for what it is and remove themselves and others from it, some don’t. Some
break free from the spiral of echoed self-loathing that accusations of damage
and inherent mortal sin bring, some don’t. Some make the necessary
disconnections from toxic individuals to keep their lives and their sanities
intact, some don’t. All captured by Eduard Grau’s cinematography, bringing that
same sense of suburban terror that made his work on The Gift so chilling. Except
here, that terror is directed towards something far more tangible, yet just as reliant on the destructive power that lies can have on the human mind.
The film closes with text over a black screen explaining
that gay conversion therapy is still legal in the majority of American states.
Here in my and Joel Edgerton’s home country, Prime Minister Scott Morrison has
said that ex-gay therapy is "just not an issue for me and I’m not planning to get engaged in the issue".
Whatever conversation clearly needs to be had regarding this, I doubt that
there’s a better starter to that conversation than this truly heart-wrenching
drama.
No comments:
Post a Comment