Well, it’s February and you know what that means: Horror
movies. No, I didn’t just suffer a stroke; it’s just that the start of the year
is usually when studios dump off the movies that weren’t good enough for
release the previous year, and horror movies are nothing if not plentiful
regardless of the time of year. Knowing that off-season horror fare usually
isn’t worth writing home about (we’ll ignore the irony that I do that for
literally every new film I see), I can’t say I was expecting much from this. Hell,
between director Adam Robitel, whose last film was
pretty plain in the visual department, and writers whose best-known work
between them is an early-2010’s Nicolas Cage flick, there’s not much reason to
expect more than mediocrity here. Well, thankfully, this film does have quite a
bit going for it. And it even manages to achieve some of it.
Admittedly, part of that comes with Saw déjà vu once again,
as this also deals in contemplations on the phrase ‘survival of the fittest’
and pushing people to their limits, physically and mentally. Specifically, this
feels like Saw V in that it actually has some solid character development for
the individuals in the titular escape room. From the douchebag who thinks he’s
funny (Jay Ellis doing a surprisingly good job with an annoying archetype) to
the stoner-looking dude who actually is
funny (Logan Miller) to the socially-withdrawn genius (Taylor Russell in what
is effectively the lead role) to the games nerd (the annoying best friend from
Atypical), it all checks out. With how their individual backgrounds are
revealed, it ties them neatly together as a group worth bringing together for a
story, especially with how the idea of ‘escape’ takes on a layered meaning with
how their respective pasts have affected them.
However, this level of efficacy sticks to the bulk of the
film in-between the beginning and the ending; go beyond those barriers and
things start to turn sour. Now, the opening is quite effective as a cold opening,
but it initially has that effect of feeling like you already know how the film
itself is going to end which does rob it of some of its tension. But, credit to
the filmmakers, they actually manage to work around what could potentially be a
film-ruining start… in a way that makes me wish that actually was the ending.
Yeah, in a bizarre turn of events, things go really downhill
as we get to the ending, lathering on even more borrowed ideas from other
horror flicks (I noticed a few direct connections to Hostel and, for some
reason, Cabin In The Woods) and truly petering out into an ending meant to keep
this open for another installment. Oh, the eternal fucking annoyance that is
the horror film already priming for what’s next when it hasn’t even finished making
the first one entirely worth watching.
Which really is a shame, as this film is mostly pretty
decent. It does rely on sufficient suspension of disbelief to really get into,
much like the Saw series, but if good characters and atmosphere are enough to
pique your interest when it comes to horror, this should slake your thirst. And
since this is pretty much locked in for a sequel, between the ending and its
current box office, I’ll admit that I like the idea of another puzzle-oriented
horror series to get into. I just get the feeling that the big reveals for this
series aren’t going to measure up, based on the ending here, but I guess we’ll
wait and see.
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