I’ve brought up the notion of sheer objectivity in film
criticism before, and how for various reasons I just can’t apply myself to that
school of thought, but this is one of those occasions where I kind of have to
address something in the interest of objectivity. I am something of a regular
producer for a large number of the shows that I have covered over the last
month, which thanks to services like Patreon has been made a lot easier for
laymen such as myself. Now, while there could have been arguments made about
bias considering these are people I am actively putting money towards on a
semi-regular basis, the fact that I’ve been mostly sticking to lists of their
best work should already show that I have a rather biased approach to these
shows already. This is something a bit different, as I along with a slew of
other people contributed directly to the production’s Indiegogo campaign,
meaning that my name (my birth name, at least) is attached to this feature-length
production. Maybe if I saw any revenue as a result of my involvement with the
thing, this would actually factor into things, but… yeah, this is pretty much
just me admitting to being involved somewhat with the thing in keeping with how
generally open I am about whatever stance I may already be in when going into a
film. Now that that’s out of the way,
let’s get started with this thing already.
