Kids Vs. Aliens (2023) - Movie Review

With how well Thanksgiving turned out, I figured it’d be worthwhile to check out what another Grindhouse alumnus has been up to. And oddly enough, this one also involves turning a short film into a full feature (albeit still a short one at around 70 minutes). After winning his way into the Grindhouse project with the fake trailer for Hobo With A Shotgun (which got a pretty kick-arse feature adaptation in his own right), his next feature is a fleshing-out of Slumber Party Alien Abduction, a segment he made for the V/H/S/2 anthology.

Blood Quantum (2020) - Movie Review

The zombie apocalypse sub-genre may be one of my personal favourites, but I’d be lying if I said that’s because of its originality. It’s a pretty reliable source of gorehound material, and there’s definitely something about the recurring scenario that speaks to my socially-isolated ways (and that’s before the pandemic made that way of life mandatory), but it’s quite a task to truly think outside the box with the stumbling or running dead these days. Some attempts like Warm Bodies just feel like bad experiments, and arguably the most creative zombie movie in recent years, Zombieland, is largely the result of poking at how overused its own tropes are. So for something to come out that really pushes the boat out is cause for celebration, far as I’m concerned, and this Shudder exclusive is one such effort.

Yoga Hosers (2016) - Movie Review

Kevin Smith is one of my all-time favourite filmmakers. His scripting ability when it comes to character and universe-building, especially with his earlier View Askew material, has made for some famous pop culture moments and his knack for using his own life and his own experiences as inspiration for his writing has resulted in some shockingly poignant films under his belt. From his examination into faith and theology with Dogma, to his treatise on sexual politics with Chasing Amy, right down to his iconic depiction of working class perspectives with Clerks, the man garners plenty of respect in these parts. I even got the chance to see him live during one of his infamous live Q&As here in Australia, which ranks up there as one of the more inspirational live shows I’ve gone to because of how much I look up to the guy. Hell, his last film Tusk was one of the first I ever reviewed on this blog and I still stand by every word that I wrote there, in spite of the film’s generally lukewarm reception. So, as a massive Smith fanboy, I was genuinely excited about today’s subject, again in spite of less-than-ideal reviews. I’ll try and keep my biases out of it as best I can, but I make no promises.