After how much I railed against last year’s trend of filmed fanfiction, I guess I’m in no position to be surprised that a slasher movie starring Winnie The Pooh and Piglet made its way into cinemas. Only this is a more literal example of such things than the Dracula self-insert of The Invitation or the myriad of Fifty Shades Of Grey-inspired releases. With the original A. A. Milne book entering the public domain at the start of 2022, this is about as direct as a story like this can get, showing Winnie and Piglet going on a murderous rampage after Christopher Robin abandons them. However, while I went into this more than willing to hear it out as a blatantly weird idea for a film, there are oh-so-many glaring problems with this whole thing.
