While there are certainly filmmakers out there that I personally like more, I have difficulty thinking of a filmmaker who outright fascinates me as much as Steven Soderbergh. His prolific and endlessly flexible body of work, his revolutionary approach to the art form and the industry that dominates it, his consistent championing of low-budget independent filmmaking; I have all kinds of respect for the man as an artist. So I figured it would be fitting to close out my reviews for 2021 with a double-feature of the man’s most recent films, starting with this little curio of a feature.
