Showing posts with label dolph lundgren. Show all posts
Showing posts with label dolph lundgren. Show all posts

Friday, 29 December 2023

Aquaman And The Lost Kingdom (2023) - Movie Review

The DCEU has finally come to an end. The never-ending Crisis of bad timing, bad management, and just generally bad decisions on the part of Warner Bros. is about to be laid to rest and reborn as (hopefully) something better. Not that it’s been all bad, though. Hell, I’d argue that it wasn’t even mostly bad; Wonder Woman, Suicide Squad (both of them), the Snyder Cut, and, where today’s subject is most pertinent, Aquaman all still hold up as worthy adaptations of the DC pantheon of heroes. I still have my issues with the franchise’s lesser moments (all the turning-around I’ve done on Zack Snyder still hasn’t made Man Of Steel look any friggin’ better), and the tail-end has led to some truly inexplicable releases like Black Adam and the Skittles movie, but as someone who still holds a torch for capeshit, I want these movies to be good. Which is why this last hurrah is especially disappointing.

Monday, 4 December 2023

Expend4bles (2023) - Movie Review

2023 has been a really, really fucking good year for action movies. John Wick: Chapter 4, Guardians Of The Galaxy Vol. 3, TMNT: Mutant Mayhem, Sisu, Dead Reckoning Part One, the new Dungeons & Dragons movie, even Transformers has really started to turn back around.

In light of all that, while it’s been a long-ass time since anyone paid any heed to the Expendables, it at least makes sense that the ultimate action team-up fantasy would get another crack during this time. The third film may have come woefully short of what the first two accomplished, but even that had its moments. Unfortunately, with this fourth instalment… can this even be called an Expendables movie at this point?

Sunday, 10 July 2022

Minions: The Rise Of Gru (2022) - Movie Review

Illumination might be in trouble. While they’ve certainly found their lane with a mixture of old-school animated slapstick and embracing the popularity of villains, their most recent features have been the epitome of diminishing returns. Their take on The Grinch was okay, but not exactly going to replace Jim Carrey anytime soon, the Secret Life Of Pets sequel was closer to a pilot for a TV show than its own film, and Sing 2 showed a noticeable drop from the rousing effect of the original. At this point, it’s easy to argue that the studio should stick with their prime cash cow (the Minions), since their ability to deliver with other franchises isn’t working out… but as their latest has shown, even that is in question.