Much like how Steven Soderbergh couldn’t restrain himself to
a single film this year, his frequent collaborator Scott Z. Burns appears to be
in the same mode as, along with writing Soderbergh’s The Laundromat, he has
stepped back into the director’s chair to do some even more scouring of
conspiratorial secrets, this time involving the United States government and
their involvement in torturing suspected terrorists in the wake of 9/11. Strap
yourself in for some pretty ugly ruminations because, much like the film
itself, I’m not going to be holding anything back.
