One of the main reasons why I don’t even try to be objective in these reviews is that there are several conflicting ways that a film can be enjoyed. It can be from how legitimately good a film is or it can be from how unbelievably bad a film is, and any variation between the two. While it’s easy enough to get a grasp on what film is legitimately good, it’s a little harder to determine what makes an enjoyably bad film, since it falls under that generally ambiguous realm of subjectivity that is comedy. What’s more, people rarely if ever actively find a film that fits into that category on purpose; somehow, I doubt that the phenomenon that is The Room was actively sought out for in the beginning. It is with all this in mind that we venture into today’s subject.
