Showing posts with label kerry condon. Show all posts
Showing posts with label kerry condon. Show all posts

Friday, 2 December 2022

The Banshees Of Inisherin (2022) - Movie Review

 

So, back in high school, I had this friend. We’ll call him… Jay. Around when we started school, me and him were put into a special morning roll call group with a few others, all of whom were neurodivergent in one form or another. We hung around a lot during class breaks, and they were pretty much the only friends I had back then. Sure, I got along okay with the rest of my classmates, more or less, but they were more acquaintances than anything else. These guys, though? Proper mates.

Then Jay decided that that wasn’t happening anymore. One day, he just up and told me to piss off. To not hang out with him and the others during lunch like we usually did. Knowing my often-violent mood swings at the time, I’m not saying that he probably didn’t have his reasons for doing so; just that it came out all of a sudden.

And this wasn’t a one-off thing either; every so often, he would just suddenly decide that I shouldn’t be there anymore, after however many days of us kinda-sorta being cool with each other again. On a random whim, I would get cut off from the only friends I had for however long he felt like. It finally came to an end a little while before we graduated, when he made nice because, and I quote, he “found someone worse” than me. Not exactly the most welcoming apology, but I didn’t hold it against him then or now; at least the merry-go-round ended, and we were able to part on good terms.

Monday, 20 April 2020

Bad Samaritan (2020) - Movie Review



Remember Geostorm? Unless you’re an obsessive like myself who writes about nearly every new movie they watch, probably not. Well, get ready for the whiplash because this is what director Dean Devlin made after that infamous attempt to beat Roland Emmerich at his own game. And the result could not be more different from his previous. He’s gone from world-spanning disaster spectacle to an thriller with elements of home invasion cinema that has more in common with the works of Thomas Harris than anything to do with making us fear man-made climate change.