In the history of the Fox-helmed X-Men films, this
particular entry is an important one. Mostly because, now that Disney owns the
entertainment sector of Fox, this is the last film this franchise will produce
until Feig and company integrate the mutants into the MCU proper. Even though
Logan basically served as the thematic conclusion for this series, this is
where it officially ends (save for New Mutants, but that project has been held
back for so long now, it’s anyone’s guess if we’ll ever actually see it).
But there’s also something else that gives this film
importance, namely writer and first-time director Simon Kinberg’s reason for
making it. He tried before to bring the story of the all-powerful Phoenix to
the big screen through his work on The Last Stand, but since most audiences
didn’t care much for it, he wanted to try again and get it right this time. As
I got into at the start of this year, I have a fondness for cinematic
redemption stories like that, ones where creatives look at past mistakes and
seek to rectify them; doubly so since it’s a filmmaker correcting their own
mistake in this instance. However, no matter which way you slice it, the
background importance placed on this just doesn’t translate into the finished
product. Like… at all.


