Time for round three of our look at Jack Thorne’s scripted work over 2020, and judging by how the last two turned out, I admit that I wasn’t expecting much from this. Also, as a bit of a change of pace from my other looks at films adapted from comics this year, I haven’t read Lauren Redniss’ source material (mainly because the only access I have to it presently is the audiobook, which for a comparison between visual mediums is pretty useless), so I’m once again going to let Thorne’s writing stand or fall on its own. And while I concede that this is yet another instance of the visuals overselling the text, I’d also argue that this is way, way easier to recommend than Secret Garden or Dirt Music.
