2019 is an election year here in Australia. Knowing the
intense makeover that has taken place over the last couple of years in regards
to political discourse, largely due to what can charitably be called an
unexpected result in the U.S. 2016 election, it seems that the public are more
aware than ever of the chicanery that goes down on the party front lines. As
such, features like this which delve into the political past are typically done
as a means of making some sense of what is happening in the now. The Post
managed it, Vice ultimately didn't, and today’s
outing? Well, it does technically speak to the current political climate... in the worst way possible.
Showing posts with label molina. Show all posts
Showing posts with label molina. Show all posts
Tuesday, 12 February 2019
The Front Runner (2019) - Movie Review
Labels:
2019,
fake news,
farmiga,
hugh jackman,
j.k. simmons,
jason reitman,
journalism,
mahan,
molina,
movie,
political,
review,
scandal,
thriller
Thursday, 2 June 2016
Whiskey Tango Foxtrot (2016) - Movie Review
Well, after looking at the lion’s share of films about war
and films about journalism over the past year and a half, I wasn’t exactly
expecting to see one so soon that would combine the two together. Now I’m just
hoping for a crossover between films about sub-par opera singers, films about
evil witches and films about terrorist plots in Europe. Maybe I’m the only one
who wants to see Gerard Butler kill the Snow Queen through the power of bad singing, but I still don’t doubt a nearby announcement for the release of The Phantom Of The
Opera 2.
Anyway, tangent: I’m here to discuss Tina Fey, not the dregs of my fanfiction folder. Tina has essentially become this generation’s Meg Ryan, the actor that is meant to represent the average generally dissatisfied older woman. The main difference between the two being that Ryan gave us Sleepless In Seattle and Kate & Leopold, and Fey has so far given us films like Mean Girls and even Sisters from earlier this year; Ryan made chick flicks, Fey makes real flicks. Far as I’m concerned, at any rate. So, time to dip into that pool again with the latest of Fey’s filmography.
Anyway, tangent: I’m here to discuss Tina Fey, not the dregs of my fanfiction folder. Tina has essentially become this generation’s Meg Ryan, the actor that is meant to represent the average generally dissatisfied older woman. The main difference between the two being that Ryan gave us Sleepless In Seattle and Kate & Leopold, and Fey has so far given us films like Mean Girls and even Sisters from earlier this year; Ryan made chick flicks, Fey makes real flicks. Far as I’m concerned, at any rate. So, time to dip into that pool again with the latest of Fey’s filmography.
Labels:
2016,
christopher abbott,
comedy,
drama,
freeman,
lorne michaels,
mahan,
margot robbie,
molina,
movie,
review,
SNL,
thornton,
tina fey,
war
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