A Neesonsploitation flick making it to cinemas, at a time when cinema turnout is lower than it’s been in years, might be the least surprising thing to happen in 2020. But quite frankly… well, I’ve been spending all day on festival detail for FilmInk, and I’m in the mood for something simple. Something to get me out of the house (with a mask and adhering to social distancing; I’m a workaholic, not an idiot) and away from my computer for a couple hours. Now, I'm going to try and be fair with this, and judge it on the same metric as all the other Neeson flicks I've reviewed, but as I'll get into, even that isn't going to do this film any favours.
