Showing posts with label ron perlman. Show all posts
Showing posts with label ron perlman. Show all posts

Monday, 19 December 2022

Guillermo Del Toro's Pinocchio (2022) - Movie Review


My original intention with making today a Pinocchio double feature was that I would look at a film I was fairly certain wouldn’t work out (and then it did, at least in my opinion) with the Zemeckis version, and then I’d look at this Guillermo Del Toro-directed version to see it done right. Well, that would imply that the two are comparable, even in regard to their shared source material, but this really is an entirely different beast. It’s also, as much as I will go to bat for the Zemeckis film, even better.

Wednesday, 29 December 2021

Don't Look Up (2021) - Movie Review


I wanted to like this. I want to like just about everything I watch, but especially this. After Adam McKay found an interesting new direction with ensemble-cast satire based on real-world events with The Big Short, and then slipped in my favour after Vice, I wanted to see him come back on top. This kind of production, a close-to-the-bone allegory for the modern discourse involving man-made climate change and what it’s doing to the planet, is something that could use a bit of levity to clear things up. A splash of comedy to help drive home how important the issue is, and how important it is for us to take it seriously. But that’s not what we get. In fact, for as iffy as I was about Vice, I am all kinds of done with this fucking thing.

Sunday, 10 January 2021

Monster Hunter (2021) - Movie Review

Oh goodie, Paul W. S. Anderson has found another video game franchise he can milk dry. Yeah, suffice it to say, I wasn’t really looking forward to this one largely because of his attachment to it (although, as I’ll get into, his isn’t the only name that spells trouble for this whole thing). Having sat through his last film with Resident Evil: The Final Chapter, easily one of the messiest and incoherent action films of the 2010s, if not ever, I went into this expecting the same level of aggrandising clutter. And yet, while that is certainly what I got out of this, this is the first film I’ve seen from Anderson in a long time where I find myself debating if this film is still entertaining in spite of his… eccentricities, let’s say.