Much like with Welcome To Marwen, we’re dealing with another film that was released theatrically over here, yet I personally see no evidence of it making it to theatres. The fact that there is more than one example of that this year, also from a rather high-profile background and in the midst of Disney's ultimate transformation into Omnicorp, is a bit concerning. At any rate, with its home video release, I can finally check out the latest from The Girl On The Train director Tate Taylor… and man, did I miss out not getting to see this on the big screen.
