The latest from neo-exploitation junkie Quentin Tarantino is
quintessentially him. A period flick set during the golden age of
Hollywood, everything from the visuals to the soundtrack to the tan lines
scream the 60’s as loud as they can. It’s a flurry of contemporary footage, new
footage seamlessly integrated into the contemporary footage (seriously, this
has some of the best integration of newer footage over older footage I think
I’ve ever seen; Forrest Gump, eat your heart out) and recreated locales and old-school staples that create
the most vivid picture of what Tarantino has spent his entire career doing:
Tipping his hat to the old guard of cinema that made him who he is as a
filmmaker.
