With how many films I get through every year, marketing material and trailers in particular don’t really have an effect on me nowadays. Most of the time, trailers just serve as snapshots for stuff I know I’ll be looking at at some point anyway, so they don’t serve the same interest for me that they would most general audiences. But then there are situations like the marketing around this film, and the subsequent response that the film proper has gotten, and I feel the need to address the discrepancy.
See, the trailer for this film presents it as some kind of crime thriller with shootouts, the kind of thing you’d expect Neeson to have helmed a few years back. But instead, the actual film is more of a slow-burn drama about family, masculinity, and how far men will go to preserve one or the other.




