Time for a step into genre weirdness as we look at what can only be described as the closest we’ll ever get to an ‘official’ Tarantino knock-off. Writer/director Roger Avary worked quite closely with Tarantino himself in the ‘90s, doing both credited and uncredited work on Reservoir Dogs, Pulp Fiction, and even Tarantino’s writer-only gigs with True Romance and Natural Born Killers. With Tarantino seemingly hitting the twilight of his career, given his latest felt like a loving goodbye letter to the medium he adores, I’d argue that there might be some use out of a production like this as a further testament to that legacy. But that’s not the result we get, though.
