The plot: Spiritual medium Elise Rainier (Lin Shaye), along with her colleagues Tucker (Angus Sampson) and Specs (Leigh Whannell), has once again been called upon to help with a paranormal disturbance... only this one proves more personal for Elise than before. As she returns to her childhood home, she is forced to confront not only her own past but also a demonic presence that has been influencing events for a very long time.
Showing posts with label the further. Show all posts
Showing posts with label the further. Show all posts
Tuesday, 17 July 2018
Insidious: The Last Key (2018) - Movie Review
The plot: Spiritual medium Elise Rainier (Lin Shaye), along with her colleagues Tucker (Angus Sampson) and Specs (Leigh Whannell), has once again been called upon to help with a paranormal disturbance... only this one proves more personal for Elise than before. As she returns to her childhood home, she is forced to confront not only her own past but also a demonic presence that has been influencing events for a very long time.
Wednesday, 30 December 2015
Insidious: Chapter 3 (2015) - Movie Review
Flash-forward two years after our last review. James Wan is becoming a force to reckoned with in Hollywood thanks to Fast & Furious 7 and writer Leigh Whannell is gaining some speed on his own thanks to his work on Cooties and The Mule. A new instalment of the Insidious series is in the works with Whannell set to return as writer and in his supporting role. However, he is now also going to be directing, with this being his debut. With several returning faces from previous instalments, and new cinematographer (Brian Pearson) and editor (Timothy Alverson) being brought on board, Whannell might just have the tools he needs to pull this off. Given how the last cinematographer would go on to try and demolish the Conjuring legacy with Annabelle, replacing him means that we're already off to a good start Only one way to find out.
Insidious: Chapter 2 (2013) - Movie Review
When Saw first came out to phenomenal box office returns,
people soon became familiar with director James Wan’s supposed ‘torture porn’
style. After taking a producing role for the rest of the series, and his
subsequent releases Dead Silence and Death Sentence barely received any
critical attention (let alone positive
attention), it seemed like he was going to stuck with that label for the rest
of his professional career, if it would even survive beyond all that. Then came
Insidious in 2009, and audiences took note. Rather than the industrial grime
and twisted morals that have been attached to him thanks to the original Saw,
Insidious blasted its way into cinemas and showed off Wan’s true style:
Old-school horror thrills reminiscent of the haunted house flicks of the 70’s
and 80’s. After that film set a far better preconception for the man, he would
go on to even greater success with The Conjuring and even show his proficiency in genres outside of horror.
However, same year that Conjuring was released, he went back to that staple
that gave him the credit he desperately deserved… and critics weren’t all that
into it. Time to dive in and see if it really deserves the flack it got.
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