I honestly never thought I’d be able to do this on this blog. I always assumed that the window in which I could watch and review new David Lynch movies had past me by. But then this little number showed up on Netflix, a former art gallery exclusive from 2017 (these reviews are dated by Australian release/access date, hence why I’m getting away with calling this ‘new’), and there’s not a herd of wild horses that could stop me from grabbing this chance with both hands. And he doesn’t seem to have lost a touch of his weirdness after all this time.
