Showing posts with label underdog. Show all posts
Showing posts with label underdog. Show all posts

Saturday, 17 December 2022

Hustle (2022) - Movie Review


Over the lifespan of this blog, what began as me going after Happy Madison films for the sake of cheap shots has gradually resulted in me reconnecting with how much Adam Sandler basically ruled my world as a kid. There’s just something about his socially-awkward, hair-trigger, good-natured schtick that still finds ways to warm my neurodivergent heart. Not that that really applies here, though, as this film has Sandler in one of his more dramatic roles, and as the last few years have shown, he’s as much in his element here as he is with his more memetic deliveries and one-liners.

Sunday, 19 December 2021

Daisy Quokka: World's Scariest Animal (2021) - Movie Review


Time to take a trip back into Sanctuary City, our own little slice of the talking animal market and, judging by the previous two films set in this world, a welcome reprieve from what I’m convinced is the ‘norm’ for this sub-genre. Having already gone over the visual quality in those past reviews, with this sticking firmly to the series standard, I probably won’t be talking much about the animation for this animated film. Instead, I’m probably going to spend most of this write-up hung up on the title, which is one of the most misleading and, the further into the film I got, befuddling titles I’ve seen in a long time.

Now, on the surface, it makes total sense. It’s about the titular quokka (voiced by Angourie Rice) who, rather than fitting into the cute and non-threatening role that society has laid out for her, wants to become the champion of the World’s Scariest Games, just like her idol Frankie Scales (Sam Neill). It’s a nice juxtaposition, aided by some species-ist subtext since literally every other quokka in this world is in the tourism industry, which mainly consists of taking selfies with said tourists.

However, even with the ultimate message about rejecting societal expectations and redefining who can and can’t excel in a certain field, it really feels like the film missed a trick with its title and its repeated use of the word “scary”. Like, if this was some kind of Monsters Inc. situation, or even just a Halloween-set story about competitive trick-or-treating (an animated film could easily turn that into an Olympic-level event), that would make sense. But the actual World’s Scariest Games are closer to American Ninja Warrior than anything else, with athletes competing in increasingly-hazardous terrains and obstacle courses. I’m just saying, ‘World’s Strongest Animal’ would make a lot more sense and would still fit with the main themes of the story.

I usually try and focus just on what a film is, rather than what it could be, but it’s rare when I get the impression that a film is repeatedly using the wrong word to describe itself. Especially when what really describes this film, to be brutally honest, is likely the reason why I found myself so fixated on that one word: It’s just another sports movie. An underdog athlete is trained by a disgraced former champion, facing resistance from their competition who think they don’t deserve to be there, but gradually winning their respect through their determination and skill at the sport; we’ve all seen this before. As fun as it is to hear Frank Woodley returning as Flightless Feather, here serving as colour commentator on the Games, that nostalgic connection isn’t enough to get past how tired and, even with the animation quality and the plentiful background gags, uninteresting this all is.

I get that I’m not the target audience for these things, as I’ve likely proven with my track record for films about humanoid animals, but I can’t shake the feeling that I wouldn’t be the only one disappointed by this flick. Kids are just as entertained by being scared as adults, and I do think that a film all about a cute little quokka learning how to be proper scary could still work as a family film. But no, it just succumbs to cliché that, unlike Wishmas Tree and Combat Wombat, doesn’t have enough of its own flair to keep things interesting. The additions to the world-building that are made here definitely open up the world of Sanctuary City, but I’d be lying if I said I was super-hyped for where things go from here.

Sunday, 3 May 2020

Go! (2020) - Movie Review



Well, this sounds familiar: An Aussie sporting movie designed for general audiences that not only focuses on a particularly niche sport, but is also drenched in classic sports movie clichés. Okay, it only sound familiar to me, as I covered a film like this years ago with Paper Planes (which, fittingly enough, has the same writer working on this one), and that film I wound up liking a lot more than I had any reason to on pure kitsch value. I’d like to say the same for this one, but for reasons both good and bad, this is a different beast than trying to make paper aeroplanes seem exciting.

Sunday, 31 July 2016

Central Intelligence (2016) - Movie Review



After my rather paranoia-fuelled experience concerning The Angry Birds Movie, I thought I was past the point of feeling like a given film actively had it in for me. Of course, we have at least 3 films this year featuring official nemesis of the blog Kevin Hart, so I’m maintaining that there’s someone in this world who has a grudge against me personally. This is not helped by the almost gloriously insipid tag line on the poster, which triggers my lame pun allergy something chronic. But hey, even with my misgivings about Angry Birds, I still walked away from that film somewhat pleased that I at least watched it. Am I likely to get such a revelation on this one? Chance would be a fine thing, but quite frankly, I’m in that kind of mood where I’m willing to give a chance to prove itself.

Saturday, 30 May 2015

Boychoir (2015) - Movie Review



With how pseudo-academic these reviews must sound at times, today’s film seems like the sort of film I should be reviewing as opposed to something like the Pitch Perfect series. Something deeply cynical in my brain, that is to say my entire brain, wants me to believe that Pitch Perfect 2 and this film being out as the same time isn’t a coincidence: Both featuring vocal groups, with the former focusing on Top 40 hits and the latter on classical works and hymns; Hansen vs. Handel, if you will, except the bout is being done on-screen instead of on Epic Rap Battles Of History… hmm… I should remember to suggest that at some point. At any rate, today’s film is the latest offering featuring one Dustin Hoffman and features vocal ranges that the human voice should not be able to reach.