Stephen Chow’s King Of Comedy is a certified classic. One of the most refined examples of Chow’s unique style of Eastern slapstick, it’s basically one of those films that anyone interested in the acting craft needs to watch, as it covers a pretty wide variety of ‘method’ acting, it’s got some of Chow’s best gags (I’m still giggling at the stuntman-on-fire scene as I’m writing this), and I can pretty much guarantee you’ll feel good after watching it. It is, at the time of writing this, my favourite Chow film. Or, rather, it was… until I saw its spiritual successor.
