A Blumhouse-produced reboot of an old-school piece of feminist-leaning horror… I feel like we’ve been down this dark road before. Okay, in fairness, I don’t want to imply that either that film or this one is irredeemably bad. It’s just that the pattern goes beyond the studio backing it, and right into finding a similar mixture of intriguing and bizarre ideas in trying to modernise the original story. And quite frankly, it hexes itself more times than not.
