I was worried that they were going to balls this one up. A biopic about the Williams sisters, tennis players so famous that even I know who they are, told from the point-of-view of their father and coach. Not gonna lie, as soon as I saw that setup and the Will Smith-heavy marketing for the thing, I assumed we’d be in for another Dangal, where the attempt to be inspiring with the dramatisation of a real-life woman’s sporting story gets railroaded to give all the emphasis to a particular man in her life. And while that is definitely the perspective given, I’d argue that this works out much better than in Dangal’s case, as using that specific perspective affords the film many opportunities for resonating material, almost all of which are utilised.
