Outcast (2014) - Movie Review

After you spend long enough time on film sets, the thought of becoming a director yourself seems like the next logical step. Actors, writers, cinematographers; people originally from these fields have taken up the big chair with varying success. However, especially in recent years, we’ve started seeing a new group join those ranks: Stunt choreographers. And I’m not talking about co-directing films like The Transporter because their role is so crucial to the overall production; I mean going it alone. We’ve had Scott Waugh direct and edit that stupid Need For Speed movie, Chad Stahelski and David Leitch gave us the surprisingly awesome John Wick and Vic Armstrong brought the Left Behind remake upon us. Well, time for a stuntman-cum-director and Nicolas Cage to team up once again as we look at today’s subject.

Cooties (2015) - Movie Review

This is most certainly a team-up that, even in my weirdest pot dreams, I wouldn’t have been able to foresee. On one hand, you have Leigh Whannell, best known for his collaborations with James Wan on the Saw and Insidious series. On the other, you have Ian Brennan, best known for being the brainchild of the thankfully recently-concluded TV migraine Glee. Except for a possible connection involving people screaming in terror, I can’t even think of a comparative duo to explain just how strange this is. The fact that this is yet another zombie film seems like an afterthought by comparison. Well, in the spirit of goodwill and the fact that I really hope Whannell is at least capable of keeping up with his cinematic brother’s success, it’s time to delve into today’s rather strange production that just happens to feature a lot of dead children. Yeah.

Appropriate Behaviour (2015) - Movie Review

 

While We're Young (2015) - Movie Review

As part of my going back and checking films that I should’ve seen earlier in the year, I am also spooling through the archives for films that I only saw segments of to complete. Back when I was doing some part-time work in movie theatre as ticket checker/clean-up crew, along with growing to hate Home even more because those sessions were easily the messiest of the entire day’s run, I also caught bits and pieces of today’s film. Something about a guy in a robe talking about his boat and David Bowie’s Golden Years playing over the credits; that’s pretty much all I know. Somehow, I’ve seen scenes from the actual film and this is still the blindest I’ve gone into a film all year. Well, hopefully Ben Stiller is still waiting to give a decent performance; considering Night At The Museum 3 and Little Fockers, I can’t be sure. So, as a sort-of road test before next year’s Zoolander 2… because, clearly, thatneeds to exist, let’s get stuck in today’s subject.

When Marnie Was There (2015) - Movie Review

 

Even if you’re too hesitant to venture further into the world of magical girls and giant robots, Studio Ghibli is that rare exception that demands respect from everyone. Comparable to the Disney of Japan, its filmography are among the most definitive of the entire art form, from its fantastical marvels like Princess Mononoke and Spirited Away to its more heart-rending productions like Grave Of The Fireflies. New releases from this studio are looked forward to as much as Wes Anderson films in film buff circles. So, when news hit that not only was the head honcho Hayao Miyazaki going on hiatus but the rest of the studio as well, otaku the world over felt a collective tear form in the corner of their eye. Given all of this information, today’s subject has a lot of weight to it as, potentially, the last film that Studio Ghibli ever releases. It’s not Miyazaki, but that doesn’t change the clout the name ‘Ghibli’ has, so this had better be damn good. This is When Marnie Was There.

Lost River (2015) - Movie Review

Remember Ryan Gosling? That guy who became the toast of the town back in 2011 thanks to the unexpected success of Drive, then just seemed to largely disappear from the public spotlight? Unless you’re among the confounding number of The Notebook fans, that is? That’s not to say he just isn’t working anymore, as he was in the surprisingly decent Gangster Squad as well as the upcoming Adam McKay flick The Big Short; just that it seems like he didn’t make the best use of his rejuvenated exposure. Probably the two big contributors to why this is is as a result of two films he made after Drive: One of them was Only God Forgives, a film by the same director that wasn’t nearly as well received by the general public nor by critics. The other was his debut as writer/director that… got probably the most perplexing response in recent years. As in, it got both a standing ovation and an audible collection of booing when it premiered at Cannes. Well, no matter happens in the following review, I am guaranteed to disappoint someone. Fine by me.

Strange Magic (2015) - Movie Review

When Disney absorbed LucasFilms into its gargantuan mass, sci-fi fan boys the world over let out an echoing sigh of relief. For reasons I’ll get into when I finally get around to the latest Star Wars film, I was not one of them. However, when the company changed hands, there was a project that was still in-development under George Lucas. It was a pet project of his, something he wanted to make that his daughters could watch; what Star Wars was to 12-year-old boys, this would be to 12-year-old girls. Words from the man himself, in case his lack of common sense wasn't already well known. This is something he had been working on since around the time the prequels were first being developed, going through different hands to finally realise Lucas’ vision. Since this vision includes the words ‘romance’ ‘musical’ and ‘based on the works of Shakespeare’, I can hardly wait to see the sudden realisation that just because LucasFilms changed hands, that doesn’t mean that they are immune from making failures. So, in preparation for what will be the inevitable let-down of galactic proportions in a week or so, let’s take a look at the first release from the ‘legendary’ studio post-Disney.