The plot: After a visit to a friend goes horribly wrong,
meek high school kid Tom (Bill Milner) ends up with chunks of his smartphone
lodged in his head. As he recovers from the shooting that resulted in said embedding
of phone parts, he discovers that he now has the ability to control electronics
with his mind. While his best friend Lucy (Maisie Williams) deals with her own
after-effects of that same night, Tom, known in Internet circles as iBoy, sets
out to find the people responsible and stop the vicious cycle of crime occurring
in his neighbourhood.
Milner is a bit of a blank slate as our lead,
only really having his powers and his quest for revenge to separate him from
the nearest hunk of drywall. Not exactly the makings of a great superhero.
Williams, by extreme contrast, is simply brilliant as Lucy. What so easily
could have become a basic Woman In Refrigerator situation with how her being
raped is meant to cause Tom to take action ends up actually allowing her to
have a character beyond just what happens to her. Hell, when she’s given a
chance to be the badass herself, she ends up outclassing our title character.
Kind of makes me wish this film was about her getting superpowers.
Richardson as Tom’s nan is quite fun, having great rapport with
Milner while also getting some pretty cool moments that show her own
connections to the criminal underworld revolving around their flat. Charley Palmer Rothwell
fits the bill as the leader of the initial group of hoods, Aymen Hamdouchi
easily comes across the most authentic in terms of gangster cred, and Rory
Kinnear may end up getting a lot of the film’s best quips, all of which he
delivers well, his performance is rather undercut by the fact that his
character in no way should know as much as he does.
For those who have keeping up with my last few
reviews, I’m a bit of a stickler for things making clear sense in films. As
much as unnecessary exposition can hold back a film, exposition itself exists
for a reason and some stories honestly need
some form of explanation on why things are happening as they do. I bring this
up because this high-concept idea doesn’t do a whole lot in terms of logistics
with its main concept. Bits of smartphone lodged in his brain, now he can
control anything electrical; that’s about as much rationalisation as we get.
And honestly, the lack of explanation kind of works. I mean, the idea itself
isn’t that far-fetched; it’s basically the fact that we all carry sophisticated
technology around with us everywhere in our phones taken to its logical extreme.
I’d call this WatchDogs: The Movie, if it weren’t for the fact that that
comparison would make this film sound a lot worse than it actually is. Rather
than flat-out explaining things, the film mostly just shows what Tom/iBoy is capable of, in a way that is essentially the
polar opposite of Killer App: Stylish but with purpose, and only disorienting
when it needs to be.
I mentioned Milner playing a superhero earlier
and, the more I think about it, the more apt that seems. With Netflix currently
fighting its own part in the War For Comic Book Supremacy through its Marvel
Defenders universe of shows, it seems like a good platform for other stories of
a similar ilk to spring forth. Between the high school intercut scenes to the
ostensible origin story that is the event that creates iBoy’s powers, even down
to the final encounter with the big bad villain, this has the trappings of a
story fit for the sequential page.
However, that is only subtext behind what
the film actually is: A revenge thriller,
and a pretty by-the-numbers one at that. Having sat through films like Kaabil
and The Foreigner this year, I feel like I’ve seen half of this movie already,
even considering this film’s own unique selling point. The pacing is
near-identical to those other works I mentioned, there’s the same questioning
about the morals of the vigilante’s actions, and all of this ends up
suffocating the moments directly linked to iBoy’s powers. There’s a small
subplot about his presence online and how there is a community of people who
react to his actions, for good and for ill. That easily could have been
extrapolated into something meatier, but what we ultimately end up getting is
the first Kingsman film if Eggsy’s upbringing in a council flat was the entire
film.
All in all, as derivative as this ends up feeling, this is
still a pretty decent effort. The acting ranges from bland to outright awesome,
the visuals tap into some Lucy-esque imagery to have the titular character’s
powers make sense to great effect, and while the writing definitely follows the
standard revenge thriller formula almost to the letter, it also manages to give
a real sense of danger to iBoy’s environment, making his actions morally grey
but also arguably necessary. It follows the rulebook both for the clichés and the parts that allow those stories
to make some degree of sense. If you’re looking for something to watch on
Netflix, it’s worth a gander if for Maisie Williams’ performance alone.
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