In my time perusing social media and the many places where
the unseen masses congregate to share their views, I have realised a fairly
simple equation: The more that a person points the finger at someone for being
a Satanist, the less they actually know about what Satanism actually is. Anyone
in the mood for a good laugh (and still has the strength of will to use
Twitter) should go and check the Church of Satan’s Twitter account, where there
are daily iterations of people taking the time to lash out at the
Church, while not using a fraction of that time to do some basic Q&A
reading so that they know what they’re angry against.
It’s one of those aspects of the modern understanding of
religion that always tickles me, and it’s what immediately drew me to checking
this documentary out. A chronicle of the Satanic Temple, the more
politically-minded side of Satanist doctrine that is more interested in
activism than metaphysics, the depiction we are given is one that takes into
account the common misconceptions about the movement and, with a devilishly
cheeky grin, dispels a lot of the more frequent myths surrounding it.
What it boils down to is the notion that anything that is
not Christian, that is not “good”, that does not conform to the ‘sane
majority’, is inherently Satanist. And as shown in this film, that wide net
encompasses a lot of progressive politics like medical autonomy, freedom of
religion, freedom from religion, freedom of speech, and the state not
playing favourites in regards to whose faith is valid enough to be preached.
Oh, and erecting monuments, because for some reason, effigies of stone seem to
matter more to some people than flesh and blood.
Some may reject the notion of Satanism as just atheism in
black robes, or that they’re just trolls looking for kicks. Like most things,
both of those statements are technically accurate but also simplistic to the
point of being dishonest by omission. It is true that the adopting of Satan as
a symbolic figurehead is largely a bold-faced ‘fuck you’ to Christians who see
Satan as the embodiment of everything they don’t like, but it goes a bit deeper
than that. If advocating for human rights is enough to branded as being in
league with the evil to end all evil… then maybe what’s “good” ain’t as good as
it claims to be. Why not wear that with pride if you’re actively fighting
against that level of moralistic bullshittery?
And at the end of the day, it all comes down to a series of
questions. Why is it that, in a country that only retroactively considers
itself to be founded on Christian values, the showings of any other religion are
seen as evil? Why are the loudest edges of the debate surrounding freedom of
religion focused entirely on ensuring the sanctity of one religion: Their own? Why is it okay for Christians to protest against what they view as
immoral, and yet Satanists advocating for control and maintenance of their own
bodies get threatened by the populace, the media and even the state? (Non-violent
protest being met with threats of violence; Extinction Rebellion, anyone?)
It is, at its core, a group that want to maintain the
separation of church and state and poke at the self-ascribed righteousness of
the religious right. It is absurdist, it is satire, it is quite humourous in a
lot of ways, but above all, it is necessary. Beyond purely setting things
straight about what others view the movement to be, and how their objections
only end up adding to the group’s armour in regards to religious hypocrisy, the
case it makes for the necessity of these movements, these groups, these people
and their mission to maintain religious pluralism makes sense. If faith and
belief are such empowering and requisite ideas, why should Christians be the
only ones to appreciate them openly?
Maybe it’s just my own fascination with matters of theology
and ‘the other’, or maybe it’s because of my own philosophical background (in
lieu of a navel-gazing paragraph about the origin of my pen name, let’s just
say I have my own issues with the use of Satan as a scapegoat for the actions
of others), but I see a lot of merit in this documentary, both as entertainment
and as political manifesto. I seriously doubt that the people who would most
benefit from learning more about the movement (read: the aforementioned people
who are most likely to shout “Satanist” at the drop of a hat) will go anywhere
near this thing, but for those willing to learn or just looking to satisfy
their curiosity, it’s a quite fulfilling piece of cinema.
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