Showing posts with label adam wingard. Show all posts
Showing posts with label adam wingard. Show all posts

Saturday, 3 April 2021

Godzilla Vs. Kong (2021) - Movie Review

My opinion on Legendary Pictures’ Monsterverse seems to be steadily growing more and more favourable the more films come out. 2014’s Godzilla was good, although not exactly landing high on my radar, then Kong: Skull Island had me in a gleeful frenzy at how kitchen-sink the action sequences were, and then Godzilla: King Of The Monsters… well, I named it one of my favourites of that year, as something that literally awe-inspiring deserves such commendation. With all the big studios still doing the COVID do-si-do with their release schedules, I was expecting the latest from this franchise to end up stuck in limbo, given it was one of many that was meant to come out in 2020. But now that it’s here, I can safely say that it is everything I wanted out of a new Godzilla/Kong movie… and even gave me shit I didn’t realise I wanted. Yep, it’s a Deadpool 2 situation.

Wednesday, 16 December 2020

She Dies Tomorrow (2020) - Movie Review


It’s good that people are able to talk openly about their mental health status. As much as it can easily be fetishised within certain Internet cultures, that is still preferable to when there was such a crippling stigma attached to it that no one talked about it, no one treated it seriously, and all we did was suffer in silence. I myself have been quite open (perhaps a little too open) about my own conditions and neuroses, which I mainly discuss on here to try and explain my own perspective when interpreting a given film.

But there’s something about that level of openness that can also be a serious problem, namely the effect it can on those listening in. Same with just about any other medical condition, if you spend too long reading about it, and start seeing connections to your own behaviours, it can make you worse. It can either exacerbate your own conditions, or even instil a psychosomatic effect where you convince yourself that that’s what’s happening, regardless of any evidence to the contrary. It’s one of the reasons why Googling medical symptoms is rarely (if ever) a good idea, and it’s the main reason why this film in particular taps into something unnervingly real.

Monday, 11 December 2017

Death Note (2017) - Movie Review




www.thegaia.org
The plot: Light Turner (Nat Wolff) is just your average high school student. That is, until he discovers a notebook called the Death Note, a tool of the death gods where if a person’s name is written within, that person dies. Wanting to use this power for good, he is encouraged by the death god Ryuk (Willem Dafoe) to rid the world of crime using the Death Note, becoming known as Kira. However, as Light’s father (Shea Whigham) is called on to investigate the series of mysterious deaths, and a mysterious detective (Lakeith Stanfield) is brought in to assist, Light’s mission is about to get a whole lot tougher.



Friday, 30 September 2016

Blair Witch (2016) - Movie Review



The original Blair Witch Project is the godfather of the found footage horror film, the outsider that in recent years has become the cool kid in school. With its bare-bones production values and understanding of viral marketing that was far ahead of its time, it set the world by storm. It’s also one of those films that, with how much it’s been copied of late, can be difficult to watch and appreciate as one could back when it first came out; kind of like Citizen Kane, in that viewing it objectively is probably the best way to approach it. Me personally, while I don’t find it to be out-and-out the scariest movie I’ve seen, I can definitely see all the merit that went into it.

Then the sequel Book Of Shadows came out, which took the first film’s notions of unsavoury but still realistic characters questioning their reality and pushed it far beyond the point of being in any way watchable. It is utter garbage and probably one of the worser examples of the Hollywood system just plain not getting what made the original so good in the first place when making a sequel. Looks we’ve got another contender for Sequel Rule #6 with this one, this time with rising star director Adam Wingard at the helm. After his success with The Guest last year, I can only hope that he manages to deliver on this one and not just give us another cash-in to burn.