Enola Holmes 2 (2022) - Movie Review

Following up on 2020’s rousing Netflix success with the first Enola Holmes, this sequel builds on a lot of what that take on the Holmes detective formula so fresh and exciting: A different perspective on that same kind of analytical genius, with a warmer heart and a need to ask questions about the roles of women in the Victorian era. And through that building, this manages to… well, it might take a rewatch of both films to be absolutely certain, but there’s an argument to be made about this doing even better than the first film.

Godzilla Vs. Kong (2021) - Movie Review

My opinion on Legendary Pictures’ Monsterverse seems to be steadily growing more and more favourable the more films come out. 2014’s Godzilla was good, although not exactly landing high on my radar, then Kong: Skull Island had me in a gleeful frenzy at how kitchen-sink the action sequences were, and then Godzilla: King Of The Monsters… well, I named it one of my favourites of that year, as something that literally awe-inspiring deserves such commendation. With all the big studios still doing the COVID do-si-do with their release schedules, I was expecting the latest from this franchise to end up stuck in limbo, given it was one of many that was meant to come out in 2020. But now that it’s here, I can safely say that it is everything I wanted out of a new Godzilla/Kong movie… and even gave me shit I didn’t realise I wanted. Yep, it’s a Deadpool 2 situation.

Enola Holmes (2020) - Movie Review

Time to close out our look at Jack Thorne’s screenwriting work for 2020, and quite frankly, this really could go either way. It could be another serving of bland nothing that feels like a shadow of a much better story, or it could be a solid, if uneven, breath of fresh air within its own genre. At either rate, I’m fully expecting every other aspect of production to be overclocked to make up for the weakness within the script. Well, nothing of the sort shows up here. It seems I have left the best for last by sheer happenstance, as this is easily Thorne’s most fully-formed script of the year.