Spider-Man: Across The Spider-Verse (2023) - Movie Review

Spider-Man: Into The Spider-Verse changed the modern animation industry to the point where, when looking at the whole thing historically, you could reasonably split the timeline into pre- and post-Spider-Verse. It represented an approach to animation where anything and everything was permitted and encouraged, leading to many others that would take cues from its eclectic and chaotic visual style (The Mitchells Vs. The Machines, Entergalactic, Puss In Boots: The Last Wish, just to name a few), and for an IP with many different media iterations already, it still managed to stand as one of if not the best yet.

Hotel Transylvania: Transformania (2022) - Movie Review

After the third film managed to bring everything full circle, I was quite certain that that would be the end of the Hotel Transylvania movies. And I don’t say that out of some sense of relief or anything like that; I’ve been a fan of this series since the first film, and beyond their fantastic and consistent animation style, I think they do well with their re-examination of the old-school Universal monsters and what it means to be Othered. As such, when this for-realsies finale snuck its way onto Amazon Prime all the way back in January of this year, I was a bit taken aback but willing to give it an honest shot. And what I got was… well, it’s still fun, but for the supposed finale, it’s also unequivocally the most lightweight of all these films.

Chip 'n Dale: Rescue Rangers (2022) - Movie Review

Along with being a certified cinematic classic, and one of my personal favourite films, Who Framed Roger Rabbit? has become quite influential in how modern tentpole cinema is marketed nowadays. From Ready Player One to Ralph Breaks The Internet, right down to Avengers: Endgame, the big studios have been banking on productions that exist primarily for crossover potential between the different properties that they own. Except, while its position as an intercompany crossover is certainly part of the appeal (seeing Bugs Bunny and Mickey Mouse on-screen together still carries a certain childish thrill to it even today), Who Framed Roger Rabbit? was about much more than just the crossovers. Up to this point, it seemed like it would be one of many Hollywood successes where all the wrong lessons were taken as to why it was successful, just so modern studios can try (and repeatedly fail) to recapture that magic. Well, until this film, that is.

Palm Springs (2020) - Movie Review

Oh dear, it’s another time loop movie. And I’ve already used up basically every remotely useful way I can introduce these movies; I can’t even go full meta and acknowledge this constant stream of time loop movies itself feels like I’m stuck in a time loop, because I’ve already done that too. These past six years since Edge Of Tomorrow has seen a lot of filmmakers try their hand at this, with both good and bad results, but quite frankly, I’m just tired of it all. It’s been done. The chances of something coming along that can add a fresh spin to the idea is growing thinner by the day. It's part of the reason why I wasn't exactly looking forward to this, regardless of how it turns out... and yet it's also the reason why this is such a blast of fresh air.