Gee, this looks familiar. A family-friendly animated film
about sentient programs travelling the Internet, finding a lot of recognisable
websites, programs and properties along the way. Oh goodie, this work out so well last time. Here is where I would
normally bring up the differences in studios and filmmakers this time around
from that pile of rubbish, except
that isn’t looking all that pristine either. Yes, this is the follow-up to a
pretty damn good flick in Wreck-It Ralph, but with how the marketing for this
has been looking all year, this way too easily could be just an excuse for
Disney to parade its still-growing monopoly in the industry, showing off its
latest acquisitions like a kid shows off their new toys. But putting aside any
possible misgivings going into this, how does it actually turn out?
From there, the animation is pretty good too, giving an
appropriate sense of grandeur to the first step into the Internet, looking like
a sprawling city where sites like Google and Amazon have giant skyscrapers.
It’s relatively light on action, largely sticking to car races (again?) within
Slaughter Race. I’d be more annoyed at the return to old material, especially
in a film all about breaking out and trying something new with life, but three
main things hold me back from that. One, Gal Gadot as racer Shank is a very fun
addition to the cast; two, the game itself actually serves well in furthering
Vanellope’s character arc; and three, the Alan Menken song here is fucking
hilarious, paying off all the marketing build-up regarding Vanellope meeting
the Disney Princesses in a pretty clever, if fanwanky, way.
That’s all the obvious stuff though; what really makes this
film remarkable is the level of astuteness regarding the Internet and the
people who use it. And not just the good stuff either, like the business
opportunities available online, the social networking possibilities, or even just
the breadth of mindless shit that can help occupy those precious moments of
free time; this gets surprisingly dark with the perspective it gives. Not gonna
lie, I wasn’t expecting a Disney film to get into legit Cam territory with its
commentary, but dead serious, that’s what we get. Extrapolating the honestly
rather blatant characterisation of Ralph and Vanellope and their respective
insecurities, the film does a remarkably subtle job of looking at how
insecurities themselves kind of break the Internet.
It’s the element of narcissism with online content creating,
or even just social connection online, that doesn’t really get brought up
often. Getting noticed online can be a difficult prospect, considering you’re
literally competing with millions, if not billions, of others for the
spotlight, and in order to get noticed, people can go to pretty extreme
lengths. Lengths that mainly serve to highlight just how desperate some people
can be for attention, something that the Internet can turn sour quickly. One of
the more low-key moments in the film is when Ralph, in the middle of trying to
raise money to cash in on his eBay bid, finds the comment section for some
videos he’s made. You can probably guess where it goes from there, but it’s not
even all that shouty. Instead, it highlights the more real, more
internally-crushing aspect of it: It’s not nice when people tell you right to
your face that you suck.
But people have to like you; why else would you even make
your online activity public otherwise? It’s the process that keeps a lot of the
Internet running, media sites like YouTube and Instagram especially, but it’s
also a potentially disastrous one too. For as long as the Internet has existed,
there have been stories of people who let the fame of web notoriety go to their
heads, resulting in meltdowns the likes of which wouldn’t have blown up as
badly pre-Internet. This is a rambling way to explaining it (speaking for
myself here) but, building on the quite natural relationships of the
characters, we see how the idea of being ‘clingy’ or ‘needy’ has ramifications
beyond just straining relationships.
This film is a brightly-coloured and light-hearted veneer
that only just hides something a lot more serious. With how connected we are
these days, especially with how we’re only getting younger and younger as far
as first contact with the best/worst thing humanity has ever created, this
film’s message feels like the ‘think global, act local’ approach to
relationships both on and offline. This isn’t just an entertaining film with a
solid message behind it; it’s a message that an awful lot of grown-ass adults
could benefit from.
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